Bob Hope would have turned 106 this week, and his birthday and the upcoming Father’s Day reminded me of one of my favorite of his films. It’s also one of the least characteristic because he is playing a real-life character (as he would again two years later in “Beau James”) and even though the character was a performer and he does manage to get off some wisecracks, it is as close to a dramatic performance as he ever gave. He also said that the dance number was the hardest work he ever did, because he had to keep up with James Cagney reprising his portrayal of George M. Cohan of “Yankee Doodle Dandy.”
Hope plays Eddie Foy, Sr., a vaudevillian whose only way to care for his seven children is to put them into his act and take them on the road. The fact that he barely knew the kids was of no more relevance than the fact that they had no talent.
Foy, as played by Hope, was not a great father. But he was devoted to his children in his own way, and I have special affection for this film. A couple of other points worth noting: fans of the old “Father Knows Best” series will recognize Billy Gray as one of the kids. And take a look at “Yankee Doodle Dandy,” too — you will see the real-life Eddie Foy, Jr. appearing as his father opposite James Cagney as his long-time friendly rival Cohan, and as the bookie in “Bells are Ringing.”
Why is the show about these two people and their twins and sextuplets so popular? And why are their marital problems getting so much attention?
I feel terribly sad for the entire family. Jon and Kate were a young couple with twins who wanted another child and so had fertility treatments which resulted in sextuplets. They now support their 10-person family by allowing television cameras to follow them everywhere and they have become celebrities, with Kate spending a lot of time on the road promoting her book and giving talks. The younger children, who just celebrated their fifth birthday, have grown up on camera. Their show is popular because people enjoy seeing how they cope with the unimaginable challenge of feeding, bathing, transporting, and listening to eight children under the age of seven. The children are cute and Kate’s unfazed normalcy seemed to be grounded in her Christian values, though many people commented on her harsh on-camera treatment of her husband. She once memorably told him he was breathing too loud.
Before the new season of the show began, there were supermarket tabloid headlines that Jon and Kate were becoming estranged and possibly having affairs. The couple addressed these questions on the season’s first episode, but what was most important was what they did not say. They did not deny the rumors but they did not say that they were committed to staying together.
Here is a clip from happier days, but even there, you can see some stress between them. Look at the body language as Kate leans away from Jon and compare it to the light-hearted home movie footage of their engagement, wedding, and honeymoon. It is impossible not to be touched by the tenderness of their vows and not to hope that they find their way back to one another.
Jon and Kate have experienced enough stress to drive a dozen couples apart. They got married very young, they very quickly produced eight children, and then, and this may be the most stressful of all, they opened up their lives 24-7 to the viewing public. Any parent of very young children knows what it feels like to see your romantic partnership turn into an endless series of logistical demands. It can be very difficult not to feel frustrated and impatient, and parents often feel they are losing a sense of themselves as separate, functioning, and appealing adults. Jon and Kate may find it difficult to resist whatever reminds them that they merit adult approval. That could be a flirtation with another person or with the audience as a whole — Kate appears to enjoy her glamorous makeover and the attention from audiences.
Jon and Kate will have to work out what is best for them and for their family. But we, too, should give some thought to the part we have played as their audience — whether for the show or for the salacious gossip. Were we too ready to believe the best about them? Are we too ready to believe the worst? Think of poor Susan Boyle, that gentle, unassuming soul who just wanted to sing and who has been almost crushed by overwhleming adulation and scrutiny since her appearance on “Britain’s Got Talent.”
We need to understand that it is absurd to think that “reality” shows give us any real sense of what truly goes on It is a fantasy to think that Jon and Kate could handle all of these children as the show made it appear. And it is an even bigger fantasy to think that the show itself does not fundamentally change the dynamic and relationships it depicts. We need to understand that just as Heisenberg proved that sub-atomic particles behave differently when they are observed, so the very fact of our watching people changes their lives, often for the worse. Look at the Jon and Kate who are so tender in reciting their wedding vows. If they knew what they would have to give up in exchange for the money and product placement and notoriety, would this be what they would have wanted for themselves? For Aaden, Joel, Alexis, Hannah, Leah, Collin, Cara, and Madelyn?
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