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Drew Barrymore — you know I love you but how does your Flower Films production company produce a film about female friendship and empowerment that barely passes the Bechdel test? And did we really need a thinly disguised remake of […]

Kind of like fashion itself, we don’t really care whether “Zoolander 2” is any good. We go because it is silly fun. The original Zoolander, released in 2001 just after the attacks on 9/11, was based on shorts Ben Stiller […]

The Coen brothers love old movies, and not just the classics. I remember reading an interview where they discussed their affection for “With Six You Get Eggroll,” which even Doris Day’s most fervent fans do not consider one of her […]

“Norm of the North” is not awful, but it is also not special, not new, not funny, and not that interesting. The script is over-plotted but under-written, with confusing detours and uneven tone. It’s as though instead of coming up […]

It is sometimes said that competition between men is a substitute for comparing their male body parts. In “Daddy’s Home,” the men actually lower their trousers — in front of a doctor and a woman who has been married to […]

BFFs Amy Poehler and Tina Fey clearly had a whale of a good time making this movie.  Watching it is another story, and not nearly as good. Yes, I suppose it’s fair to say that women’s humor can be as […]

About five minutes after it began, the long-suffering Dave (Jason Lee, looking tired and oh so over this) comes home to find that the irrepressable little singing chipmunks in the midst of a wild party with a half-pipe set up […]

Director Adam McKay is so obsessed with the 2008 financial meltdown that he inserted a series of charts and graphs and statistics about it over the closing credits of the silly buddy-cop comedy, The Other Guys. Yes, there was a […]

Seth Rogen. Not very surprising guest stars. Many mind-altering substances. Many bodily fluids and functions. Many bad choices. No ability to allow women to be funny, even with some of the best comic actresses of our time in the cast. […]

A column by Michael Hiltzik in the LA Times about 700 “lost” Paramount films caught my attention. The first paragraph mentioned one of my favorite movies, “Alias Nick Beal,” with Ray Milland as Satan bargaining for the soul of a […]

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