Movie Mom

Movie Mom


X-Men: Days of Future Past

posted by Nell Minow
B+
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for sequences of intense sci-fi violence and action, some suggestive material, nudity and language
Profanity:Some strong language
Nudity/Sex:Brief nudity (male rear) and very skimpy clothing, non-explicit sexual situation
Alcohol/Drugs:Drugs
Violence/Scariness:Constant comic-book/fantasy style action violence with many characters injured and killed
Diversity Issues:Diverse characters
Movie Release Date:May 23, 2014
DVD Release Date:October 13, 2014

x-men dofpX-Men fans will see this film anticipating the pleasure of watching their favorite X-Men characters in one of the comic book series most acclaimed storylines: the time-bending saga of a desperate trip to the past to undo one tragic mistake. Wolverine, Mystique, and the old and new versions of Professor X and Magneto are all here and there are grandly staged action scenes involving the White House lawn, Chinese ruins, and a sports stadium. But the powerhouse knock-you-socks-off what-did-I-just-see moments come from a new character in the movie franchise, Quicksilver (Evan Peters), who does a little time-bending of his own in the most dull and domestic of settings, a kitchen. Well, it’s a kitchen in the Pentagon, but still. Part “Matrix,” part Chuck Jones, it is sure to be on end of the year best lists.  And of course Jennifer Lawrence is terrific as the conflicted Raven/Mystique, whose loyalties shift almost as often as her chameleonic exterior, and who looks sensational in a costume so revealing that would make a Las Vegas showgirl look like she’s wearing a parka.

Marvel’s X-Men are mutants, the next stage of evolution past homo sapiens, with a range of intriguing and sometimes mutable superpowers. They also represent the next stage of evolution as superheroes, with conflicted characters and complex extended storylines that resonate the themes of societal, political, and psychological struggles. Characters go back and forth between the “good guy” (want to work with humans) and “bad guy” (believe humans can never accept or keep up with them so they should be wiped out in a Darwinian overthrow of the less-fit) teams.

We’ve seen the present-day X-Men in a trilogy of films and stand-out Wolverine (Hugh Jackman) in two starring vehicles. And saw the origins of the first X-Men, Charles Xavier, known as Professor X, and Erik Lehnsherr, known as Magneto, in X-Men: First Class. Now, everything comes together in the time-travel saga “Days of Future Past,” a little bit “Terminator,” a little bit “Back to the Future,” as Wolverine goes back in time to change one event in order to prevent the creation of an army of killer robot drones that wiped out most of the mutants and humanity, too.

This will require getting the band back together, including teaming up sometime friends/sometime enemies Charles Xavier (played in the past by James McAvoy and in the present and future by Patrick Stewart) and Magneto (played in the past by Michael Fassbender and in the present and future by Ian McKellen).  (Nerd note: In the comic book series, it is Kitty Pryde (Ellen Page) who transmits her consciousness back in time to her younger self, but in the movie she sends Wolverine’s consciousness back to his younger self instead.)  Thankfully, they minimize the “How do I know you’re really from the future?” stuff and get to the action, starting with breaking Magneto out of the most secure prison facility on earth, buried under the Pentagon.  This is where Quicksilver comes in very handy.

Newcomers will enjoy the action and it may lead them to check out the earlier movies and the comics to find out more about the X-Men universe.  Fanboys and fangirls will appreciate a couple of insider references.  Those old enough to remember the 70’s will appreciate some insider references, too, like the recording device in Richard Nixon’s oval office and the synth-infused score.  As in all the best X-Men stories, the themes feel visceral to our times — national security, the definition of “other.”  Just don’t try to resolve all the temporal anomalies, and you’ll have a blast.

Parents should know that this film has extended action/comic-book humor, with many characters injured and killed, guns, explosions, fire, some graphic and disturbing images, some strong language, drug use, brief nudity and very revealing attire.

Family discussion: If you could go back in history and change one thing, what would it be?  If you could have any of the powers of the X-Men, what would you choose?  How should the government make decisions about threats like the X-Men?

If you like this, try: the other “X-Men” movies and “The Avengers”



  • PeterHSL

    I love all your reviews but isn’t it PROFESSOR X not Dr X?

    • Nell Minow

      Ak, there goes my fangirl cred. Fixing right now, PeterHSL. Many thanks.

  • Pingback: Interview: John Ottman, Editor and Composer of “X-Men: Days of Future Past” - Movie Mom

  • Donna Kazee

    Did you not “grade” this one?

    • Nell Minow

      Hmm, for some reason the grade and other info did not post. I’ve re-entered — thanks for letting me know!

  • Toby Clark

    I don’t remember ever being as conflicted on a movie like with this one – it’s an awesome action movie, a great character drama, a frustrating time travel story, a disappointing adaptation of Chris Claremont’s Days of Future Past, and, in the end, has irrevocably soured me on the X-Men film franchise, because now I can’t ever rewatch the first trilogy without thinking, “None of this matters, the planet has been doomed for thirty years already.”

    • Nell Minow

      Yes, that is a problem of multiple storylines by multiple creators over many years. If consistency and continuity matter to you, the franchise has painted itself into quite a corner.

Previous Posts

Wild's Cheryl Strayed Has a New Advice Podcast
Before Wild, Cheryl Strayed was the pseudonymous "Dear Sugar" advice columnist for The Rumpus. Her columns were collected in Tiny Beautiful Things: Advice on Love and Life from Dear Sugar. Writer Steve Almond (Candyfreak: A Journey through the Chocolate Underbelly of America) also wrote as Dear Su

posted 3:59:40pm Dec. 19, 2014 | read full post »

Actors Of Color Discuss Racial Stereotypes In Hollywood
Film Courage produced this excellent and very compelling film with actors of color talking about the challenges they face in Hollywood. If we did a better job of representing diversity in film, we would not just tell better stories and tell stories better, we would make better progress toward under

posted 8:00:49am Dec. 19, 2014 | read full post »

Annie
The story of the plucky little Depression-era orphan with the curly red hair has been not just re-booted but re-imagined into the world of rent-a-bikes, viral videos, DNA tests, YOLO, corpora

posted 5:59:13pm Dec. 18, 2014 | read full post »

Night at the Museum: Secret of the Tomb
Fans of the first two "Night at the Museum" films will like this one because it is pretty much the same film. They go to another museum, this time the British Museum in London, and the exhibi

posted 5:23:46pm Dec. 18, 2014 | read full post »

Listen to People's Lives: David Plotz's Working Podcast
Former Slate editor David Plotz, now at Atlas Obscura, says that he is a big fan of Studs Terkel's classic book Working: People Talk About What They Do All Day and How They Feel About What They Do. He has paid tribute to that great work in the best possible way, by updating it with his podcast seri

posted 3:59:23pm Dec. 18, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.