For me, the big story of the movie of 2010 was the animated films and the documentaries — we had more great films in both categories than ever before. So I was delighted to see Roger Ebert’s list of the year’s best documentaries. The films he selected demonstrate the astonishing range of modes, moods, topics, and voices working in documentaries today. There is the devastating autopsy of the financial crisis (“Inside Job”) and the mind-bending examination of street art that explores art, commerce, and the gullibility of the celebrity culture in form and content. There is a movie about a serial killer and a movie about a literally colorful guy who waves his jacket at tourists on Chicago’s river boats (I loved that one). And I was delighted to see Roger’s comments on the new film from Errol Morris. It was the review of Errol Morris’ “Gates of Heaven” and “Vernon, Florida” on the Ebert and Siskel show that first got me interested in documentaries, and I have been very grateful to them ever since.