Movie Mom

Movie Mom


The MPAA rating system turns 40

posted by Nell Minow

Defamer revisits the first 40 years of MPAA ratings. In the first days of film there were no ratings or limits. After outcries over the spicy content of some of the early talkies, Hollywood adopted the Hays Code in 1930. The studios agreed to its voluntary but highly restrictive terms not just about sex and language (the only proviso for violence was that it had to be in good taste). But it prohibited portrayals of clergy that made them appear corrupt or foolish and depictions of inter-racial relationships. There are legendary stories of battles over whether Rhett Butler would be allowed to say “I don’t give a damn” in “Gone With the Wind” (he was) or whether Bette Davis could get away with murder in “The Letter” (she wasn’t). And writer-directors like Ernst Lubitsch and Preston Sturges prided themselves on getting past the censors with subtle double entendres.
In November of 1968, MPAA head Jack Valenti created the ratings code at a time of cultural upheaval. The studios wanted to be able to tell stories about and for adults. At first, the ratings were G, PG, R, and X. But when X was appropriated by the porn industry, the MPAA switched to NC-17 (no children under the age of 17). And the PG-13 rating was added after objections to some of the grisly images in the second Indiana Jones film, like the eyeball soup.
Defamer lists some of the ratings system’s worst and most absurd moments, including the R rating for the original “Thomas Crown Affair” based only on a sensual (and fully clothed,ending only with a kiss) chess game and the PG rating for “Facing the Giants” for evangelical themes.
The documentary This Film Is Not Yet Rated documented the failures of the rating system but mostly focused on its secrecy and favoritism in applying the ratings to studio films over independents. Under Valenti’s successor, Dan Glickman, there have been some small improvements.
For me, the most frustrating aspects of the rating system have been the inconsistency of the treatment of material based on whether it is in a comedy or a drama (permitting PG-13 ratings for the extremely raunchy “Austin Powers” films when the same material in a drama would get an “R”), the outright stupidity in the treatment of the f-word (permitted once or twice in a PG-13 as long as it does not refer to sex, a rule you’d need a PhD in semiotics to understand and interpret), and the continual ratcheting-down of the ratings so that what would have received a PG-13 a few years ago now gets a PG. Here’s hoping for many more improvements before its next anniversary.



  • jestrfyl

    The ratings system is far less for parents, let alone for kids, than it is for the movie studio heads. They use it to avoid costly lawsuits and niggling legal aggravations. It has become such an absurdity that it is often abused in order to promote films rather than prevent “innocents” from seeing them.
    O how times have changed. The fabled eyeball soup of I.J.2 is now standard fare for Halloween decorating magazines. If the ratings had any manner of standardization there would not be an allowance for changing tastes. Only the adults who assign the standards change, not the age or developmental issues of the young people they pretend to protect. It is almost impossible to assign objetive lasting tests to artworks, film included. What is cute and winsome now, like Nightmare Before Christmas, might have horrified people only a few decades ago. The single best measurement is a parent’s standards. I believe that real reviews, like your, are far more beneficial than the short-handed, short-sighted system in place.

Previous Posts

Interview: Daniel Schechter, Writer/Director of "Life of Crime"
Newcomer Daniel Schechter, who wrote one of my favorite neglected gems, The Big Bad Swim, worked with an all-star cast in "Life of Crime," which he adapted from The Switch by Elmore Leonard and directed.  It is set in 1970's Detroit and it is the story of a woman played by Jennifer Aniston who i

posted 3:59:35pm Aug. 27, 2014 | read full post »

The November Man
Pierce Brosnan knows what it is like to play a spy in a big-budget, glamorous, blockbuster. He was the most urbane of Bonds in four movies. He knows what it is to play a seedier spy in a prestige, mildly meta movie, the 2001 film "The Tailor of Panama" (with Daniel Radcliffe in a pre-Potter role). S

posted 10:57:58am Aug. 27, 2014 | read full post »

Trailer: Thunder and the House of Magic
"Thunder and the House of Magic" opens September 5, 2014. [youtube]https://www.youtube.com/watch?v=Z6VKG3lZEIg[/youtube]

posted 8:00:02am Aug. 27, 2014 | read full post »

Anatomy of Every Movie Ever
This is hilarious and, I have to say, accurate.  Thank you, John Atkinson of Wrong Hands!

posted 3:59:37pm Aug. 26, 2014 | read full post »

Cozi Zuehlsdorff's New Song for "Dolphin Tale 2" -- "Brave Souls"
I'm really looking forward to "Dolphin Tale 2," even more so after seeing this music video by Cozi Zuehlsdorff, the young actress who reprises her role as Hazel from the original film. Cozi’s song, which she wrote and performs herself, is called “Brave Souls” and in this video she explains how

posted 12:23:08pm Aug. 26, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.