“Blindness” is the story of unnamed characters in an unnamed community who all suddenly lose their sight with just one exception, a doctor’s wife played by Julianne Moore. The newly blind citizens, along with Moore’s character, who pretends to be blind, are quarantined and quickly confront a series of tragic choices and heart-wrenching moral compromises and violations as they struggle to survive. The movie, like the novel that inspired it, is an allegory along the lines of “Lord of the Flies” or “28 Days Later.”
The National Federation of the Blind has criticized the film, saying that it portrays blind people as monsters. That is not true; it portrays human beings as monsters, or at least as animals who cast off the thin veneer of civilization when their infrastructure and external controls were removed. They also say it perpetuates inaccurate stereotypes, portraying the blind as unable to care for themselves and navigate. Again, that is not true. It portrays people who suddenly become blind and have no support services or training as having a very difficult adjustment. Indeed, there is one character who was blind before the epidemic, and the movie makes it clear that he does have the skills to use a cane and a braille machine.
Once again, misplaced activism attacks the most superficial details of a movie without taking time to understand that it is on their side.