Movie Mom

Movie Mom


Tyler Perry’s The Family That Preys

posted by Nell Minow
B+
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for thematic material, sexual references and brief violence.
Profanity:Mild language
Nudity/Sex:Sexual references and non-explicit sexual situations, adultery
Alcohol/Drugs:Drinking
Violence/Scariness:A couple of hard punches
Diversity Issues:A theme of the movie
Movie Release Date:September 12, 2008

Tyler Perry’s latest film is more traditional and with a more consistent tone than his “Medea” movies, but it has his trademark trio: sincerity, spirituality, and story. And if he passes on that other “s” — subtlety, that’s all right. Reminiscent of the classic Hollywood melodramas filled with financial, romantic, and family anguish, this is the story of two families, one white and wealthy, one black and poor, and the many ways they interact — in business, in friendship, in love, and in battle.

Both families are headed by strong, determined single mothers. Charlotte (Kathy Bates) is the matriarch of the wealthy Cartwright family and holds the controlling shares in its construction business. Her closest friend is Alice (Alfre Woodard), the owner of a run-down diner who is always willing to give a free meal and clean clothes to someone who needs help. Charlotte’s son William (Cole Hauser) wants to take over the family business, with or without his mother’s approval. Alice has one daughter Pam (Taraji P. Henson) who works in the diner and another one (Sanaa Lathan as Andrea) who has a degree in finance and a lot of ambition. She works directly with William and both sisters’ husbands are construction workers for Cartwright with dreams of starting a firm of their own.

Writer/director/star Perry (he plays only one role this time, Pam’s husband) takes on big themes and big drama: sex, love, death, betrayal, and corporate takeovers, but all presented with heart and sincerity and a firm and genuinely inspiring devotion to God and to doing for others. It is sheer pleasure to watch Bates and Woodward take on these roles. On a road trip (“Like Oprah and Gayle!”) or in a boardroom, tucking bills in the thong of a male stripper, confronting heartbreak, counting blessings, they keep us watching and caring.



Previous Posts

Actress Speaks Up Against Absurd Hollywood Casting Conventions
Cheers to the understandably anonymous "Miss L," an actress in Hollywood, for her Tumblr posting real-life casting information that shows how limited and misogynistic Hollywood casting is.  Casting Call Woe shows actual casting call notices, most of which require actresses to be hot (no matter what

posted 3:57:54pm Mar. 27, 2015 | read full post »

Trailer: Paper Towns with Nat Wolff
[iframe width="560" height="315" src="https://www.youtube.com/embed/w4olpTxktM4?rel=0" frameborder="0"]

posted 8:00:09am Mar. 27, 2015 | read full post »

The Wrecking Crew
Maybe you like Frank Sinatra and your friend likes the Mamas and Papas. Maybe you've argued about who is better, the Beach Boys or Simon and Garfunkel, or maybe you prefer Elvis. Each of those monumen

posted 9:48:37pm Mar. 26, 2015 | read full post »

Home
"Home" is a cute and colorful movie about an alien invasion with an important safety tip concerning one of the most destructive forces in the universe, something devastating to every known life form.

posted 5:59:44pm Mar. 26, 2015 | read full post »

Ebertfest 2015
Passes are on sale for Ebertfest 2015!  I'll be there!  From Chaz Ebert's blog: We are opening with Jean-Luc Godard's silent opus in 3D, "Adieu Au Langage" ("Goodbye To Language"). Some have complained that you were against 3D films, but we know that you were against 3D when it was used onl

posted 3:49:39pm Mar. 26, 2015 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.