Movie Mom

Movie Mom


Ballet at the Movies: The Red Shoes, Ballet Shoes, and More

posted by Nell Minow
red shoes.jpg

The Sunday New York Times had a great tribute in honor of the 60th anniversary of one of the most lyrically lovely movies ever made, The Red Shoes. As the title indicates, it is inspired by the classic fairy tale by Hans Christian Andersen about the enchanted shoes that cannot stop dancing even after the person who wears them becomes exhausted, even if it kills her. It is the story of Victoria (played by the exquisite ballerina Moira Shearer), a dancer who is torn between her love of dance and the longing for a life outside of the demands of this most demanding of professions and obsessions. She is cast in the lead of a ballet called “The Red Shoes” and its story and its exhausting steps echo and underscore the conflicts she feels. Despite this bleak portrayal of the life of a ballet dancer, the movie inspired a generation of girls, including future prima ballerinas and other professionals, to study dance. And despite its melodrama, the movie transcends its storyline to become a poetic meditation on all of our conflicting desires, thanks to the skill of writer-directors Michael Powell and Emeric Pressburger.

And I am so pleased to find that one of my favorite books, Ballet Shoes by Noel Streatfeild, has been filmed in a fine BBC production, starring “Harry Potter’s” Emma Watson. I love all of Streatfeild’s books (remember Meg Ryan talking about them in “You’ve Got Mail?”) but my favorite is Skating Shoes. I am hoping the BBC decides to film that one and go on to do them all.

My other favorite ballet movies include Robert Altman’s The Company, a neglected gem starring Neve Campbell, who also produced the film, and of course The Turning Point, with Shirley MacLaine, Anne Bancroft, and real-life dancers Mikhail Baryshnikov and Leslie Browne. As with “The Red Shoes,” ballet is a powerful symbol of the demands of love.



  • jestrfyl

    Not all of us think “Everything is beautiful at the ballet” (from “A Chorus Line”, I think). But we are not locked out completely. There is still “White Nights” with Barishnikov and Gregory Hines. Who can beat creepy bad gys with big guns to offset the lithe dancing and overblown classical scores?

  • Dustin Putman

    I haven’t seen it in years, but I absolutely loved “Center Stage” when it was released in 2000. At the time, it made ballet seem really hip.

Previous Posts

Does PG-13 Mean Anything Anymore?
The Washington Post has an article about a new report from the American Academy of Pediatrics, "Parental Desensitization to Violence and Sex in Movies," with some disturbing conclusions about parents' ability to make good decisions about the impact some media may have on their children. This is not

posted 8:00:58am Oct. 25, 2014 | read full post »

Is E-Reading to Kids the Same as Analog Reading?
The New York Times asks, Is E-Reading to Your Toddler Story Time, or Simply Screen Time? In a 2013 study, researchers found that children ages 3 to 5 whose parents read to them from an electronic book had lower reading comprehension than children whose parents used traditional books. Part of th

posted 8:00:40am Oct. 25, 2014 | read full post »

Interview: Todd and Jedd Wider about the Bullying Documentary "Mentor"
Producers Todd and Jedd Wider generously took time to answer my questions about their documentary, "Mentor," the story of two teenagers who committed suicide following relentless bullying. The film, which received Honorable Mention for Best Documentary Feature at the 2014 Woodstock Film Festival th

posted 3:56:57pm Oct. 24, 2014 | read full post »

Clip: Tinkerbell and the Legend of the NeverBeast
[iframe width="560" height="315" src="//www.youtube.com/embed/ApzHJhZz2JQ" frameborder="0"] The latest in Disney's animated Tinkerbell series adds Ginnifer Goodwin to the cast. Coming in March of 2015, it explores the ancient myth of a mysterious creature whose distant roar sparks the curiosity

posted 1:23:59pm Oct. 24, 2014 | read full post »

Interview: "Avatar" Villain Stephen Lang on Playing a Good Guy Coach in "23 Blast"
Stephen Lang is best known for playing the villain in "Avatar." But in "23 Blast," based on the real-life story of Travis Freeman, a high school football player who lost his vision but stayed on the team, Lang plays a good guy, the coach who encouraged and supported him. I talked to Lang about actin

posted 5:56:30am Oct. 24, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.