Advertisement

Movie Mom

Movie Mom

In the Land of Women

posted by jmiller
B
Lowest Recommended Age:Middle School
MPAA Rating:Rated PG-13 for sexual content, thematic elements and language.
Profanity:Some strong language
Nudity/Sex:Brief sexual situation, references to adultery
Alcohol/Drugs:Teen smoking and drinking, references to drugs, references to being wasted
Violence/Scariness:Sad illness and death, brief fistfight
Diversity Issues:None
Movie Release Date:2007
B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sexual content, thematic elements and language.
Profanity: Some strong language
Nudity/Sex: Brief sexual situation, references to adultery
Alcohol/Drugs: Teen smoking and drinking, references to drugs, references to being wasted
Violence/Scariness: Sad illness and death, brief fistfight
Diversity Issues: None
Movie Release Date: 2007

If you’ve see the ads with vulnerable cutie Adam Brody from “The O.C.” kissing willowy cutie Kristen Stewart (the kid in Panic Room and growing up very nicely), you probably think it must be a romantic comedy. That’s what they want you to think because it will sell tickets.

Get that idea out of your mind and you might find a way to the real but uncertain pleasures of this intriguing first effort from writer-director Jonathan Kasden (son of writer-director Lawrence and brother of writer-director Jake, whose own first movie is also coming out this month).

Like its main character, the film is a little lost but filled with promise, with some lovely moments, some telling thoughts about the power of listening.


So much promise, in fact, that it manages to overcome the considerable challenge of keeping our affection despite two well-established movie-killers — the precocious child and the dying grandmother who’s gone a little gaga.


Carter (Brody) is a writer who gets dumped by his successful and beautiful girlfriend in the very first scene. Feeling at a loss, he tells his mother he will go to visit his grandmother in Michigan to take care of her and work on his writing.
His grandmother (Oscar-winner Olympia Dukakis) seems to be losing it completely, and he feels a million miles away from anything.

And then Sarah (Meg Ryan) from across the street impulsively asks him if he’d like to come along when she walks her dog. In spite of not knowing each other — in fact, because they don’t know each other — they begin to talk about what really matters to them, about fears and embarrassing secrets.

Sarah pushes her teenage daughter Lucy (Stewart) to take Carter to a movie, and she brings along her little sister Paige (Makenzie Vega), who is even precocious about how precocious she is, sort of precocity cubed.


At first, Carter is preoccupied with his own unhappiness. But he begins to listen to Sarah and Lucy and the very experience of being sympathetically listened to, more than what anyone says, has a transforming effect on all three of them.


At one point in the movie, a minor character makes a very graphic point about the worries all of us have that someone will find out our secrets and think we are disgusting. And as Carter totes his grandmother’s used Depends out to the curb with the garbage, he shows the fear of not just being disgusting but being disgusted. This theme echoes in less clunky and obvious ways throughout Carter’s talks with Sarah and Lucy and it is in those moments that we see not just Carter’s promise, but writer-director Kasden’s as well.

Parents should know that this movie has some strong language, brief violence, some inappropriate kisses, references to adultery, teen smoking and drinking, and a reference to being “wasted.” A character has cancer and there is a sad death. A strength of the movie is that it is a rare contemporary film that takes kissing seriously.


Families who see this film should talk about the way that Sarah’s family handled secrets. Which did they handle well and which could they have handled better? What was the most important thing Carter learned from Sarah? From Lucy?

Families who enjoy this film will also enjoy The Safety of Objects and Things You Can Tell Just By Looking At Her.

Previous Posts

Worst Accents in Movies
Thanks to Indiewire for including me in this great rundown of the all-time worst movie accents. Critics vented frustration and fury, many picking Quentin Tarantino and Dick van Dyke, but I went with two actors who played Robin ...

posted 2:13:18pm Aug. 28, 2015 | read full post »

Grandma
Lily Tomlin is cranky, feisty, tough, and utterly irresistible in this story of a grandmother who has to visit past decisions about her own life in order ...

posted 5:50:55pm Aug. 27, 2015 | read full post »

We Are Your Friends
Director Max Joseph brings some of the "Catfish" sensibility to "We Are Your Friends," with an intimate, documentary feel and a storyline ...

posted 5:35:22pm Aug. 27, 2015 | read full post »

Z for Zachariah
In 1959, a movie called The World, The Flesh And The Devil imagined a post-apocalyptic world with three surviving humans. In the words of the 1960's television series, "The Mod Squad," they could be described as "one black, one white, one ...

posted 5:31:48pm Aug. 27, 2015 | read full post »

Being Evel
Evel Knievel was an international celebrity in the 1960's-70's, known for three things: showmanship, stunts that succeeded, and stunts that failed. He was recognized for jumping over 19 cars in his motorcycle, for crash-landing after trying to ...

posted 5:13:51pm Aug. 27, 2015 | read full post »

Advertisement


Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.