Movie Mom

Movie Mom


Miami Vice

posted by jmiller
C
Lowest Recommended Age:High School
MPAA Rating:Rated R for strong violence, language and some sexual content.
Profanity:Very strong language
Nudity/Sex:Explicit sexual references and situations, some nudity
Alcohol/Drugs:Characters are drug dealers, drinking, smoking
Violence/Scariness:Extremely intense and graphic peril and violence, characters wounded and killed
Diversity Issues:A strength of the movie is its portrayal of strong and loyal relationships between diverse characters
Movie Release Date:2006
DVD Release Date:2006

The original “Miami Vice” was Michael Mann’s decade-defining television show. It ran from 1984-89 and everything about it was fresh, edgy, and influential. The t-shirt under the Armani jacket with photogenic beard stubble look, the best-selling techno-synth musical theme that won a Grammy, the pastel colors and quick cuts all became cultural touchstones and signifiers. The idea was inspired by a two-word memo from a network executive — “MTV cops” — and by a ruling that permitted the use of goods confiscated from criminals in other police-related work — thus, the cops who drove a Ferrari. It was cool. But that was then. Now, it’s just cold.


So when Mann adapted the television show with this new movie, he excised all of its signature elements, so permanently wedded to the 80’s. But he didn’t add anything to make it worth watching.


Mann’s movies are usually smart and stylish. They usually have a visceral, vital quality. Not this one. He gives us no reason to care about the characters or the story. There’s not even any special sense of place; it could just as easily be called “Generic Canadian City Vice.”


Jamie Foxx replaces Philip Michael Thomas as Ricardo “Rico” Tubbs and Colin Farrell fills in for Don Johnson as James “Sonny” Crockett. They are brought in after the feds have failed in an undercover investigation of a drug dealer. After a brief interlude permitting Tubbs and his girlfriend (the wonderful Naomie Harris from Pirates of the Caribbean: Dead Man’s Chest) to get soapy in the shower, they get hired as deliverymen. Then they get caught up — personally and professionally — in the organization, which is (yawn) much larger and more far-reaching than they anticipated.

They have to prove themselves. Crockett gets involved with the drug operation’s CFO, Isabella (Gong Li), who dresses like an investment banker. But, like Melanie Grffith in “Working Girl,” she has a head for business and a bod for sin, and pretty soon she and Crockett are getting soapy in the shower.


The drug kingpin’s latest recruits have to prove themselves and work their way up the organization. The plot, however, mostly consists of bang bang bang, even the shoot-outs and explosions are not well-staged and the pacing is a slog. It seemed to take forever to load the darn drugs onto the darn boat. Foxx and Harris manage a little sizzle, but there is no chemistry of any kind between Foxx and Farrell or Farrell and Li. One reason is that Foxx and Farrell sport hairdos that all but emit chemistry repellent. The colors are dull. The pacing is dull. How long do we have to watch drugs being loaded onto a boat? Even the music is dull, as generic as a third-rate cover band. Even the preposterous ending is dull.

The dialogue is dull, too, all faux-tough, keeping-it-real we-can’t-trust-anyone-but-each-other-because-we’ve-shared-unspeakable-reality-and-know-things-the-rest-of-those-corrupt-and-incompetents-don’t malarky. It all sounds like something written by a computer tuned into the Spike channel. The only point in its favor is that there could be quite an active drinking game if viewers took a shot every time someone in the movie says something like, “Here’s how it’s going to be” or “Here’s how it’s going to happen.” It would have the advantage of both providing a more interesting distraction than the movie and rendering participants less concerned about the two hours and ten minute running time, the only theft in this movie anyone will care about.

Parents should know that this is a “hard-R” movie with extremely intense and graphic violence, including heavy artillary, a lot of blood splatter, and suicide. Characters are injured and killed. Characters are drug dealers and undercover cops who try to stop them. Characters drink and smoke (scenes in clubs) and use strong language. There are explicit sexual references and situations. A strength of the movie is the positive portrayal of inter-racial relationships, but some may find the South American drug dealers to be stereotyped.


Families who enjoy this film will also enjoy the original television show and Mann’s other movies, including Hannibal Lecter’s first appearance in Manhunter and Will Smith’s brilliant performance in Ali. Mann’s last film, also featuring Foxx, is the much better Collateral.



Previous Posts

Uptown Funk from A. Maceo Smith New Tech High School and Teacher Scot Pankey
High school teacher Scot Pankey brings the funk to the entire school in this joyous dubstep video. I love its spirit and its inclusiveness; everyone is just there to have fun. It has become a viral sensation, tweeted by Michelle Obama, Jill Biden, and the guy who sings "Uptown Funk," Bruno Mars.

posted 9:36:59am Feb. 01, 2015 | read full post »

New Web Series: That's Racist! with Mike Epps
I'm a big fan of Mike Epps, and am excited about "That's Racist!," his new web series on AOL. It is a provocative look at racism and stereotypes. Are Asians bad drivers? Are Jews cheap? Do African-Americans all like fried chicken? These and other stereotypes are explored by experts and people ins

posted 8:00:40am Feb. 01, 2015 | read full post »

Three Views on the Challenges Women Face in the Film Industry
It is wonderful that directors like Ava DuVernay, Angelina Jolie, and Gina Prince-Bythewood gave us superb films in 2014.  But it is an indicator of the challenges still faced by women filmmakers that none of them was nominated for a major directing award. The Alliance of Women Film Journalists

posted 3:38:46pm Jan. 31, 2015 | read full post »

Snickers Wins the Super Bowl!
The real competition at the Super Bowl is for the commercials, right? This Snickers ad is a hoot. [iframe width="560" height="315" src="https://www.youtube.com/embed/rqbomTIWCZ8?rel=0" frameborder="0"]

posted 8:00:02am Jan. 31, 2015 | read full post »

How Did Ca Plane Pour Moi End Up in So Many Movies?
How did a 1977 song in French by the Belgian singer Plastic Bertrand become a go-to for 21st century American movie soundtracks, from big studio films to quirky indies? "Ça Plane Pour Moi" has appeared in Martin Scorsese's "The Wolf of Wall Street" and last week's "We'll Never Have Paris," from

posted 3:40:03pm Jan. 30, 2015 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.