Movie Mom

Movie Mom


Miami Vice

posted by jmiller
C
Lowest Recommended Age:High School
MPAA Rating:Rated R for strong violence, language and some sexual content.
Profanity:Very strong language
Nudity/Sex:Explicit sexual references and situations, some nudity
Alcohol/Drugs:Characters are drug dealers, drinking, smoking
Violence/Scariness:Extremely intense and graphic peril and violence, characters wounded and killed
Diversity Issues:A strength of the movie is its portrayal of strong and loyal relationships between diverse characters
Movie Release Date:2006
DVD Release Date:2006

The original “Miami Vice” was Michael Mann’s decade-defining television show. It ran from 1984-89 and everything about it was fresh, edgy, and influential. The t-shirt under the Armani jacket with photogenic beard stubble look, the best-selling techno-synth musical theme that won a Grammy, the pastel colors and quick cuts all became cultural touchstones and signifiers. The idea was inspired by a two-word memo from a network executive — “MTV cops” — and by a ruling that permitted the use of goods confiscated from criminals in other police-related work — thus, the cops who drove a Ferrari. It was cool. But that was then. Now, it’s just cold.


So when Mann adapted the television show with this new movie, he excised all of its signature elements, so permanently wedded to the 80′s. But he didn’t add anything to make it worth watching.


Mann’s movies are usually smart and stylish. They usually have a visceral, vital quality. Not this one. He gives us no reason to care about the characters or the story. There’s not even any special sense of place; it could just as easily be called “Generic Canadian City Vice.”


Jamie Foxx replaces Philip Michael Thomas as Ricardo “Rico” Tubbs and Colin Farrell fills in for Don Johnson as James “Sonny” Crockett. They are brought in after the feds have failed in an undercover investigation of a drug dealer. After a brief interlude permitting Tubbs and his girlfriend (the wonderful Naomie Harris from Pirates of the Caribbean: Dead Man’s Chest) to get soapy in the shower, they get hired as deliverymen. Then they get caught up — personally and professionally — in the organization, which is (yawn) much larger and more far-reaching than they anticipated.

They have to prove themselves. Crockett gets involved with the drug operation’s CFO, Isabella (Gong Li), who dresses like an investment banker. But, like Melanie Grffith in “Working Girl,” she has a head for business and a bod for sin, and pretty soon she and Crockett are getting soapy in the shower.


The drug kingpin’s latest recruits have to prove themselves and work their way up the organization. The plot, however, mostly consists of bang bang bang, even the shoot-outs and explosions are not well-staged and the pacing is a slog. It seemed to take forever to load the darn drugs onto the darn boat. Foxx and Harris manage a little sizzle, but there is no chemistry of any kind between Foxx and Farrell or Farrell and Li. One reason is that Foxx and Farrell sport hairdos that all but emit chemistry repellent. The colors are dull. The pacing is dull. How long do we have to watch drugs being loaded onto a boat? Even the music is dull, as generic as a third-rate cover band. Even the preposterous ending is dull.

The dialogue is dull, too, all faux-tough, keeping-it-real we-can’t-trust-anyone-but-each-other-because-we’ve-shared-unspeakable-reality-and-know-things-the-rest-of-those-corrupt-and-incompetents-don’t malarky. It all sounds like something written by a computer tuned into the Spike channel. The only point in its favor is that there could be quite an active drinking game if viewers took a shot every time someone in the movie says something like, “Here’s how it’s going to be” or “Here’s how it’s going to happen.” It would have the advantage of both providing a more interesting distraction than the movie and rendering participants less concerned about the two hours and ten minute running time, the only theft in this movie anyone will care about.

Parents should know that this is a “hard-R” movie with extremely intense and graphic violence, including heavy artillary, a lot of blood splatter, and suicide. Characters are injured and killed. Characters are drug dealers and undercover cops who try to stop them. Characters drink and smoke (scenes in clubs) and use strong language. There are explicit sexual references and situations. A strength of the movie is the positive portrayal of inter-racial relationships, but some may find the South American drug dealers to be stereotyped.


Families who enjoy this film will also enjoy the original television show and Mann’s other movies, including Hannibal Lecter’s first appearance in Manhunter and Will Smith’s brilliant performance in Ali. Mann’s last film, also featuring Foxx, is the much better Collateral.



Previous Posts

Believe Me
Will Bakke has followed his two thought-provoking documentaries on faith with a remarkably smart, funny, brave, and heartfelt first feature film that explores religion and values without ever falling

posted 11:06:16am Sep. 30, 2014 | read full post »

Gone Girl's Rosamund Pike
Rosamund Pike delivers a stunning breakthrough performance in this week's "Gone Girl." She's been a favorite of mine for a long time, for her elegant voice and precise acting choices. It's a good

posted 8:00:23am Sep. 30, 2014 | read full post »

Telling Time in "All That Jazz"
One of my favorite writers provides insights into one of my favorite (if flawed) movies -- Matt Zoller Seitz created a beautiful video essay about Bob Fosse's autobiographical "All That Jazz" for the Criterion Edition, and then they were unable to use it due to rights problems with the movie clips h

posted 3:19:48pm Sep. 29, 2014 | read full post »

Tomorrow on PBS: The Makers: Comedy
Be sure to tune in to PBS tomorrow night for what is sure to be one of the highlights from one of the all-time best series on PBS: "The Makers," the story of women in America.  Tomorrow's episode is about women in comedy. [youtube]https://www.youtube.com/watch?v=CHxHMgSF7UI[/youtube]

posted 8:00:45am Sep. 29, 2014 | read full post »

Tomorrow on HBO: "The Fifty Year Argument" -- Scorsese on The New York Review of Books
Once upon a time, there was no internet. And instead of bloggers and pundits and tweets we had something called public intellectuals, people who read widely, thought deeply, and wrote long, passionate, carefully reasoned, thoroughly documented and beautifully written articles about the important is

posted 3:59:26pm Sep. 28, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.