Movie Mom

Movie Mom


Andrew Lloyd Webber’s The Phantom of the Opera

posted by rkumar
B+
Lowest Recommended Age:Middle School
MPAA Rating:PG-13
Profanity:None
Nudity/Sex:Mild and non-explicit but predatory sexual situations, kissing
Alcohol/Drugs:Social drinking
Violence/Scariness:Violence, characters killed
Diversity Issues:Phantom is an outcast due to deformity
Movie Release Date:2004

Despite lavish settings and sweeping camera movement, this sumptuously produced Andrew Lloyd Weber musical feels static, stuffy, and stagey. This is in part because so much of it takes place on a stage but more because it is mostly just people standing still and singing rather than moving or, well, acting. It’s the Branson, Missouri dinner theater edition, as decorated as a wedding cake and as tightly laced as Christine’s corset.

This is the zillionth version of the Gaston Leroux Beauty and the Beast-like story about a brilliant masked madman who lives under the opera house. He falls in love with the exquisite young soprano Christine, (played by the exquisite young soprano Emmy Rossum from Mystic River). She believes he is the angel of music, sent to teach her by her dead father.

But the Phantom is no angel. He will do anything to make Christine a star and he will do everything to possess her.

At first, Christine is mesmerized by the Phantom. He brings her to his home in the caverns far below the stages and dressing rooms and sings to her about the music of the night, charging her singing with passion. And just as the theater owner sells the place to two scrap metal dealers who know nothing about show business, the phantom arranges to have Christine get the starring role in the opera’s newest production.

The new team has a new patron — a handsome young nobleman named Raoul (Patrick Wilson) who was once Christine’s childhood sweetheart. He and Christine fall in love but the Phantom will not allow Christine to be with anyone else, even if it means destroying everything he cares about.

Sumptuous sets and costumes give this film the grandest of aspirations, but its overheated emotions set to Andrew Lloyd Weber’s purplish music are so inherently “theatrical” that the film cannnot be as effective as the stage play, and the performances are more about the music than the story. Christine, Raoul, and the Phantom sing in the theater, they sing in the caverns, they sing in a graveyard, and they sing at a masked ball. But the bland Gerard Butler as the Phantom never conveys the menace or the allure of the brilliant madman who hears the music of the night.

Parents should know that the movie includes peril and violence, with some graphic images. There are mild and non-explicit sexual situations with predatory implications.

Families who see this movie should talk about some of the fairy tales than inspired it. What is the significance of the masked ball? What did the Phantom love about Christine? Can you love people without really seeing who they are? Why was the Phantom’s face so terrifying to himself and others? How do we treat disabled people today? Families should also talk about the way the two key songs in the movie are used to illuminate different relationships and different emotions.

Families who enjoy this film will also enjoy Chicago and some of the earlier, non-musical version of this story, from the silent version starring Lon Chaney to the 1989 version starring Nightmare on Elm Street‘s Robert Englund. They can read the original book and find out more about the story here. Rossum is always worth watching, especially as an Appalachian girl in Songcatcher, and Butler is much more at home in the appealing Dear Frankie.



Previous Posts

Should Movie Audiences Text to the Screen?
It is annoying enough when someone near you in a movie theater takes out a cell phone to text. Imagine how it would be if you then saw the text on the screen. That's what a Chinese theater is experimenting with in what they are calling "bullet screens." The idea is that what you are there to enjo

posted 3:59:17pm Sep. 02, 2014 | read full post »

Back to School Guidelines for Parents on Kids and Media
Screen time is a treat, not a right. It’s a good idea to make sure that it comes only after homework, chores, other kinds of play, and family time. Make sure there is some quiet time each day as well. The spirit is nourished by silence. All too often, we try to drown out our unsettled or lonely fe

posted 8:00:27am Sep. 02, 2014 | read full post »

After the Ice Bucket Challenge: Two Upcoming Movies About People With ALS
The Ice Bucket Challenge has brought a lot of money and attention to a devastating illness, ALS or Amyotrophic lateral sclerosis, sometimes called Lou Gehrig's Disease for the the New York Yankee who had to leave baseball when he was afflicted with ALS. Two upcoming films about people with ALS

posted 7:00:17am Sep. 02, 2014 | read full post »

Thursdays in September on Turner Classic Movies: The Jewish Experience on Film
This month, TCM has an excellent series of films about the Jewish experience, every Thursday. TCM proudly presents The Projected Image: The Jewish Experience on Film, a weekly showcase of movies focusing on Jewish history and heritage as portrayed onscreen. Co-hosting the films each Thursday is D

posted 9:21:56pm Sep. 01, 2014 | read full post »

Start the School Year With a No-Screen Week
A new study shows another good reason to detox from all screen time now and then, especially for kids.  Children who take a five-day break from all screens are better at reading real-life facial expressions to understand the emotions of the people around them.  Psyblog described the study, which s

posted 3:56:33pm Sep. 01, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.