Movie Mom

Movie Mom


The Company

posted by rkumar
A
Lowest Recommended Age:Mature High Schooler
Profanity:Some strong language
Nudity/Sex:Sexual references and situations, nudity
Alcohol/Drugs:Drinking, smoking
Violence/Scariness:Some tense scenes
Diversity Issues:Diverse characters
Movie Release Date:2003

Form follows content in Robert Altman’s latest film. As in the lives of the ballet troupe it portrays, it is the dance that takes center stage. The rest of the characters’ lives are glimpsed only around the edges. The result is intimate and moving, with dance numbers that are thrillingly filmed and backstage stories that are quietly observed.

This is not about nutcrackers and tutus. This is about people who make the ultimate commitment to art and, especially, it is about the art that they make. Altman is not just showing us dancers here. He is showing us himself.

Neve Campbell (the Scream series, “Party of Five”), a former ballet dancer, brought the idea to Altman (M*A*S*H, Gosford Park) and she stars as Ry, a member of Chicago’s Joffrey Ballet. As the opening credits begin, we hear the usual pre-performance announcements directing the audience to turn off their cell phones and reminding them that photography is prohibited. Then we see a stunning performance of a ballet called “Tensile Involvement,” a postmodern angular variation on a maypole dance (or maybe the ribbons on a toeshoe), with dancers interacting with stretched banners and the credits crossing the screen as though they were a part of the choreography.

The off-stage scenes have a loose, documentary feel but they are as meticulously observed and as carefully positioned as a ballerina en pointe. Ry’s two sets of parents — divorced mother and father and their new spouses — each bring flowers. When she gives them back for a moment so that she can talk with someone, the two couples wait a beat, look at each other, and then switch flowers, so each holds the ones they originally brought to her. Dancers battle the limits of the physical world as they try to transcend their own sometimes reluctant bodies as well as the pulls of gravity, and of time. Ry’s non-dancer boyfriend shows that he brings the same kind of care, artistry, and precision to his work that she does to hers.

The rehearsal scenes mix art and drama as the choreographers treat the primary dancers the way sculptors treat clay while the back-up dancers are “marking” the moves off to the side. Dancers matter-of-factly handle injuries, juggle other jobs, and borrow space for their sleeping bags on each other’s floors. The company director breezily shmoozes and evades with just about everyone, but when he accepts an award he is bracingly honest about the way he was treated as a young boy who loved dance.

One technical point worth noting is that this is the first film to use a new post-production process called Darbee Vision, which adds depth and vivid color to video, and which is ideally suited for photographing the dance numbers, which are, after all, center stage. They are lovely, even the weird and garish number that looks something like a Chinese New Year parade, and especially an exquisite pas de deux to a melancholy “My Funny Valentine,” danced outdoors in pouring rain.

Parents should know that the movie has some strong language, locker-room nudity, and sexual references and situations. There are tense scenes and injuries. Characters drink and smoke.

Families who see this movie should talk about the commitment required for the dancers and the people who run the company.

Families who enjoy this movie will also enjoy The Turning Point about two friends, one who stayed in the ballet company and never had a family and one who left to raise her children, who envy each other’s lives. They should also see the brilliant The Red Shoes.



Previous Posts

Should Movie Audiences Text to the Screen?
It is annoying enough when someone near you in a movie theater takes out a cell phone to text. Imagine how it would be if you then saw the text on the screen. That's what a Chinese theater is experimenting with in what they are calling "bullet screens." The idea is that what you are there to enjo

posted 3:59:17pm Sep. 02, 2014 | read full post »

Back to School Guidelines for Parents on Kids and Media
Screen time is a treat, not a right. It’s a good idea to make sure that it comes only after homework, chores, other kinds of play, and family time. Make sure there is some quiet time each day as well. The spirit is nourished by silence. All too often, we try to drown out our unsettled or lonely fe

posted 8:00:27am Sep. 02, 2014 | read full post »

After the Ice Bucket Challenge: Two Upcoming Movies About People With ALS
The Ice Bucket Challenge has brought a lot of money and attention to a devastating illness, ALS or Amyotrophic lateral sclerosis, sometimes called Lou Gehrig's Disease for the the New York Yankee who had to leave baseball when he was afflicted with ALS. Two upcoming films about people with ALS

posted 7:00:17am Sep. 02, 2014 | read full post »

Thursdays in September on Turner Classic Movies: The Jewish Experience on Film
This month, TCM has an excellent series of films about the Jewish experience, every Thursday. TCM proudly presents The Projected Image: The Jewish Experience on Film, a weekly showcase of movies focusing on Jewish history and heritage as portrayed onscreen. Co-hosting the films each Thursday is D

posted 9:21:56pm Sep. 01, 2014 | read full post »

Start the School Year With a No-Screen Week
A new study shows another good reason to detox from all screen time now and then, especially for kids.  Children who take a five-day break from all screens are better at reading real-life facial expressions to understand the emotions of the people around them.  Psyblog described the study, which s

posted 3:56:33pm Sep. 01, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.