Movie Mom

Movie Mom


May

posted by rkumar
B+
Lowest Recommended Age:Mature High Schooler
Profanity:Strong language
Nudity/Sex:Sexual references and situations, nudity
Alcohol/Drugs:Some
Violence/Scariness:Intense and graphic violence, characters murdered and mutilated
Diversity Issues:Disabled character teased by children, blind children
Movie Release Date:2003

Already this film is being compared to Brian De Palma’s Carrie, which shares a strange, female, misfit protagonist’s decent into madness, and Mary Shelley’s Frankenstein. However, May is more original than the description makes it sound, as well as being possibly the scariest movie of the year.

Angela Bettis plays the title character, an awkward, shy girl whose obstructive mother makes her wear an eye patch to cover up her eye disorder. Friendless, May receives from her mother a doll that she made when she was younger, not to play with but to admire through a glass case. “If you can’t find a friend, make one,” says her mother. Needless to say, May grows up a discomfited, socially incompetent recluse who works with a veterinarian, and we see her mess up a relationship with a handsome man (Jeremy Sisto) whose quirks she takes the wrong way and get her heart broken by a sexy coworker (Anna Faris) who’d rather sleep with several partners than have a meaningful relationship. The last straw comes at an excruciatingly awful incident after she volunteers to work at a school for blind children. May has already been making her own clothes by sewing patches together, works with stitching and amputation with the vet, and we see her cracking with frustration as she cuts up some of her dolls and taking her fury out on her unresponsive cat, which she instinctively kills and saves in her freezer. If you can’t find a friend…you know where this is headed.

What’s remarkable about this movie is how scary it is even though the viewer knows what’s going to happen. I winced every time May told someone how much she admired a certain physical feature, as I knew exactly what was going to happen to each and every one of them. May pulls no punches, and all your worst fears will come true. On that note, this isn’t like Carrie where the viewer relates to the protagonist and is glad to see her tormentors go. Here May is genuinely creepy and you fear for the safety of those around her, who aren’t typically stupid horror movie victims but people who enjoy May’s strangeness and don’t understand just how mentally ill she is. May is less like Dr. Frankenstein, whose curiosity compels him to try to play God, than Ed Gein, the real-life hopeless outcast whose infamous desires to “make his own friends” inspired Psycho and The Silence of the Lambs, among others.

As hard as it is to pity May, it makes for an incredibly scary movie. The opening shot before a flashback is so horrific that it’s agonizing to wait for the story behind it, and the story, emotional intensity, and even some very black humor are perfectly executed, as are the terrifying shots of everything from someone getting stabbed with scissors to May’s motionless doll, which makes some of the Puppet Master toys look like Toy Story. The all-newcomer cast couldn’t be better, and I’ll be very interested to see what Bettis and first-time director/screenwriter Lucky McKee do next. Not to say that May is perfect, as a closer look reveals that it raises a few questions it doesn’t answer, and it does get a little gratuitous. Still, you won’t be thinking about that when you’re getting the hell scared out of you.

This film is rated R for some graphic violence, as well as some foul language and some sexless innuendo.

People who like this movie should try the aforementioned Carrie, and Silence of the Lambs, Psycho, and Frankenstein. Todd Solondz’s more recent Welcome to the Dollhouse is a similarly dark and deeply upsetting — albeit nonviolent — look at a young, female misfit. Movie buffs may want to revisit probably the most famous (as well as one of the best) films about a lonely misfit taking vengeance on the surrounding world, Taxi Driver.



Previous Posts

The Woman in Gold
The very title is a form of theft. When Gustav Klimt painted the portrait that gives this film its name, he called it "Portrait of Adele Bloch-Bauer." She was a warm, vibrant young woman

posted 5:58:01pm Mar. 31, 2015 | read full post »

Interview: The Woman in Gold's Simon Curtis and E. Randol Schoenberg
Director Simon Curtis told me, "My last film was My Week with Marilyn, and this one is my century with Maria."  He is referring to "The Woman in Gold," with Helen Mirren as Maria Altmann, who brought a lawsuit to get back the portrait of her aunt Adele, painted by Gustav Klimt, which had been stole

posted 3:37:47pm Mar. 31, 2015 | read full post »

Faith-Based Movie Picks -- The Today Show
In honor of Easter and Passover, the Today Show has some good suggestions for faith-based movies, from the very serious and respectful to the light-hearted.

posted 3:13:29pm Mar. 31, 2015 | read full post »

Another "Star is Born" Movie? Possibly, with Bradley Cooper as Director and Beyonce to Star!
A movie that's already been done three times (at least) may just get yet another remake if the rumors are true that Bradley Cooper will direct and Beyoncé will appear in "A Star is Born."  The original 1937 version, said to be inspired by (among others) the marriage of aging vaudeville star Al Jol

posted 3:54:02pm Mar. 30, 2015 | read full post »

Exclusive Clip and Contest: What Would Jesus Do -- The Journey Continues
We are honored to present an exclusive clip from "WWJD (What Would Jesus Do): The Journey Continues," inspired by the best-selling classic book In His Steps. WWJD: The Journey Continues is availab

posted 3:40:29pm Mar. 30, 2015 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.