Movie Mom

Movie Mom


Basic

posted by rkumar
D
Lowest Recommended Age:Mature High Schooler
Profanity:Very strong language
Nudity/Sex:Sexual references
Alcohol/Drugs:Drinking, smoking, drug and alcohol abuse, drug dealing
Violence/Scariness:Intense peril, shooting, grenades, characters killed
Diversity Issues:Strong minority and female characters
Movie Release Date:2003

It’s probably not even worth explaining the premise of this sorry attempt at a thriller because the “basic”premise is to tell you one thing and then turn it upside down and then do that again about six more times in ninety minutes. But here goes: John Travolta plays Tom Hardy, a DEA agent called in to investigate some mysterious deaths at his old Ranger base in Panama. One surviving soldier has returned from an arduous training mission, but three others have not, and he refuses to talk to anyone but a fellow Ranger.

He talks to Hardy, but the story he tells is contradicted by the other survivor, the gay son of one of the Joint Chiefs of Staff (Giovanni Ribisi), who is in the hospital recovering from a gunshot wound. As each tells the story, we see it re-enacted, in one of the most tiresome of movie conventions, the subjective flashback that exists just for the “gotcha!” when we find out that it was unreliable. By the time we have seen the same story with variations all those times, we really don’t care any more which version is right. It doesn’t help much that the final answer is so nonsensical.

The dialogue is terrible. Fortunately, it is frequently drowned out by the incessant rainstorms that howl throughout all the flashbacks. The rain also makes it difficult to tell the characters apart, even in this standard army every-soldier-has-just-one-identifying-characteristic format. Those who are looking forward to seeing Travolta reunited with his “Pulp Fiction” co-start Samuel L. Jackson should know that they appear together only very briefly, and, in any event, their performances are among the most single-dimensioned they have ever given. Jackson just yells and Travolta just grins. Furthermore, Connie Nielson has the worst attempt at a Southern accent in memory.

Parent should know that this is a very violent movie with many character deaths. Characters smoke (one who gave up smoking years earlier takes a cigarette to relieve stress). Characters have alcohol and drug abuse problems and some characters deal in illegal pharmaceuticals and cocaine. Characters use very strong language.

Families who see this movie should talk about the various forms of betrayal and loyalty it illustrates.

Families who enjoy this movie will enjoy the far better “A Soldier’s Story” and “A Few Good Men.”



Previous Posts

Coming in August: Helen Mirren, Ninja Turtles, Step Up 5, If I Stay, The Giver, and More
August is traditionally a slow month for movies, with some of each year's worst being released just before Labor Day. But this year, the last month of summer vacation leads off with a bang, Guardians of the Galaxy, plus the James Brown movie Get on Up, also worth seeing. This is a very special month

posted 6:35:33pm Aug. 01, 2014 | read full post »

Lucy and the Box Office: The Good News and the Bad News
Last week, "Lucy" beat "Hercules" at the box office, good news for those who still think that women-led action films can't make money. As blog The Mary Sue put it succinctly: "Today In Female

posted 8:00:04am Aug. 01, 2014 | read full post »

Guardians of the Galaxy
The summer movie you've been waiting for has arrived, a joyous space romp that all but explodes off the screen with lots of action and even more charm. Our recent superheros have been complex, often anguished, even downright tortured. It has been a while since we've had a charming rogue with a ba

posted 5:59:33pm Jul. 31, 2014 | read full post »

Get on Up
There are a lot of challenges in taking on the life story of James Brown, known variously as the Hardest Working Man in Show Business, the Godfather of Soul, Mr. Dynamite and others with vari

posted 5:59:21pm Jul. 31, 2014 | read full post »

Magic in the Moonlight
Woody Allen's 44th film is an amuse bouche without a meal, a dollop of whipped cream without the dessert underneath.  In last year's film, "Blue Jasmine," the strength of the performances (especially Oscar-winner Cate Blanchett) and the resonance of its Bernie Madoff-ish crossed with "Streetcar Nam

posted 5:58:31pm Jul. 31, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.