Movie Mom

Movie Mom


The Hurricane

posted by rkumar
B+
Lowest Recommended Age:Mature High Schooler
Profanity:Strong, including racial epithets
Nudity/Sex:Non-explicit potrayal of child molester, some non-sexual nudity
Alcohol/Drugs:Social drinking
Violence/Scariness:Boxing matches, shooting in a bar, knife fight
Diversity Issues:A theme of the movie
Movie Release Date:1999

Rubin “Hurricane” Carter triumphed over a brutal childhood to become a contender for the middleweight boxing championship, through pure determination. Then, wrongfully sentenced to three life terms for murders he did not commit, he used the same discipline, integrity, and ineradicable sense of dignity that served him as a fighter to survive in prison.

Denzel Washington’s dazzling portrayal as Carter makes us see the man’s courage and heart. And the astounding story of chance, loyalty, and dedication that led to his release gives us a chance to see true heroism and redemption.

Carter emerged from his first trumped up prison sentence (for running away from an abusive reformatory) determined to make his past work for him by making sure he would never return. He becomes a powerful boxer by channeling his rage into his fights: “I didn’t even speak English; I spoke hate, and those words were fists.” When his worst nightmare is realized, after a racist policeman coerces witnesses and suppresses evidence, and he is sent back to prison, he turns to that same focus to keep his core self free. He refuses to wear a prison uniform. And he refuses to accept privileges so that nothing can be taken away from him. He says, “My own freedom consisted of not wanting or needing anything of which they could provide me,” and “it is very important to transcend the places that hold us.” He makes a new goal: to “do the time,” meaning to do it his own way. If that requires cutting himself off from anything that makes him feel vulnerable, including his family and everyone else in the world outside the prison, he will. He says, “This place is not one in which humanity can survive — only steel can. Do not weaken me with your love.”

Meanwhile, a boy named Lasra Martin, living in Canada with people who took him in to provide him with an opportunity to get a better education, buys his first book for twenty-five cents. It is Carter’s book written in prison, The Sixteenth Round. Lasra writes his first letter. Carter answers.

They develop a close relationship, and Lasra introduces Carter to his Canadian friends, who become so committed to him that they move to New Jersey, vowing not to leave until he goes with them. They uncover new evidence, the lawyers develop a new theory, and finally, 20 years later, Carter is freed.

The devotion of the Canadians and the lawyers is truly heroic and very moving — the movie gently contrasts them with the celebrities who stopped by long enough to get their photographs taken, and then moved on to other causes. But, contrary to many “victims of racism saved by rightous white people” movie portrayals, the real hero of this story is Carter himself. In his first days in prison, locked in “the hole” for refusing to wear a prison uniform, we see him forging the steel that will keep his essence free, no matter how many locks are on the door. Then, in scenes that are almost unbearably moving, we see that he can still allow himself to hope and to need others. He has protected himself from dispair and bitterness in refusing to be a victim.

Families should talk about the struggles for racial equality in the 1960′s and 1970′s, and about what has and has not changed. And they should talk about the way that Carter keeps his spirit alive, in part by identifying himself with prisoners of conscience like Nelson Mandela and Emile Zola, and by writing, “a weapon more powerful than my fists can ever be.” Teens might want to read Carter’s book or the book Lazarus and Hurricane, which was the basis for the movie. They will also appreciate another dazzling performance by Washington in another tribute to an extraordinary historical figure, Malcolm X.



Previous Posts

How Do Movies Show Time Passing?
Someone once said that movies are "pieces of time." A few take place in "real time." Alfred Hitchcock's experiment, "Rope," unfolds in just the time it takes us to watch it, all in what appears to be one seamless shot. But others take place over days, weeks, years, even generations. Slavko Vorkap

posted 8:00:40am Jul. 22, 2014 | read full post »

Boring TV Makes You Fat
A new study finds that boring television leads to mindless snacking and that leads to putting on pounds. So, watch programs that excite and engage you. Or, if the show is boring, turn off the television.

posted 8:00:05am Jul. 22, 2014 | read full post »

Switched at Birth and the End of Life
I'm a big fan of ABC Family's Switched at Birth and have appreciated its complicated characters, honest and heartfelt relationships, and compelling storylines, as well as its unprecedented, in-depth portrayal of the deaf community. Last week's episode may have been the all-time best (SPOILER ALERT)

posted 3:59:49pm Jul. 21, 2014 | read full post »

Comic-Con 2014
It's here!  San Diego Comic-Con begins Wednesday night in San Diego and I'll be there.  This is my favorite event of the year, a chance to find out what everyone will be watching, listening to, playing, and otherwise enjoying over the next few years.  As I always say, this is the Iowa caucuses of

posted 8:00:20am Jul. 21, 2014 | read full post »

Wish I Was Here
My intention was to review Zach Braff's new film without mentioning the controversy he stirred up in funding it via Kickstarter.  My view was that what mattered was the movie itself, and the kerfluffle over how it was all paid for was beside the point.  But it turns out that it is the point.  "Sc

posted 7:21:07pm Jul. 20, 2014 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.