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Movie Mom

Movie Mom

The Hot Chick

posted by rkumar
F
Lowest Recommended Age:Mature High Schooler
Profanity:Extremely strong language
Nudity/Sex:Extremely crude humor, including flatulence, vulgarity
Alcohol/Drugs:Teen drinking, drug humor
Violence/Scariness:Comic violence
Diversity Issues:All major characters are white
Movie Release Date:2002
F
Lowest Recommended Age: Mature High Schooler
Profanity: Extremely strong language
Nudity/Sex: Extremely crude humor, including flatulence, vulgarity
Alcohol/Drugs: Teen drinking, drug humor
Violence/Scariness: Comic violence
Diversity Issues: All major characters are white
Movie Release Date: 2002

Even by the low standards of Saturday Night Live-alumni movies, and by the even lower standards of Adam Sandler-produced movies, “The Hot Chick” is simply excruciating. It is loathsome, offensive, vile, and, even worse, it is not funny. To add insult to injury, it is also much too long.

This is yet another body-switching movie. There is a pointless introductory scene in which an ancient princess uses some enchanted earrings to switch bodies with a servant girl so that she can get out of an arranged marriage. Cut to the present day where Rob Schneider plays a petty thief who switches bodies with a bitchy blonde high school princess named Jessica (Rachel McAdams), after she steals the earrings from a store specializing in ancient artifacts.

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The rest of the movie is about Jessica (now played by Schneider) trying to get back into her old body. Along the way, we are subjected to horrifyingly awful jokes about the different ways men and women go to the bathroom, a cross-dressing child, priest molestation of young boys, the thief (now in Jessica’s body) having to buy tampons, bulimia, places to hide marijuana, parents of different races, homosexuality, and incest.

There is a lot of blame to go around here – from producer Adam Sandler (who appears in dreadlocks long enough to make the same joke about marijuana three different times in another one of his stupid silly voices) to star and co-writer Rob Schneider (who, bi-racial himself, should be especially ashamed of the racist stereotyping of a Korean woman and her bi-racial daughter), to director Tom Brady, who brings out the worst in his cast and has no sense of comic timing whatsoever. But we have to reserve a special blame category for the MPAA, which gave this horrendously crude and vulgar film a PG-13 rating, when its content is closer to NC-17.

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Parents should know that the movie includes extremely explicit and offensive humor in just about every category. A father complains to his daughter (not knowing it is his daughter) that his wife won’t give him oral sex (making this the second movie this season with such a parent-child conversation, after “8 Mile”). A mother grabs the person she thinks is their gardener (not knowing it is her daughter) and kisses him passionately. A child is a cross-dresser. Teenagers drink at a bar and a character talks about places to “hide weed.” There are jokes that are racist and homophobic.

Families who like this movie should see the far better “Tootsie” and “All of Me.”

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