Flower Mandalas

Flower Mandalas


Art & the Art of Managing Pain: Billy Bob Beamer

beamer6_small.jpg
Art & the Art of Managing Pain
by Billy Bob Beamer
Much of this article first appeared in FMOnline
I graduated from college in the early 70s, having completed a degree in sociology, with a focus in the sociology of art. I didn’t take any studio art courses, but immersed myself in art history, especially the art of the Middle Ages, and sought to understand how cultural values are formed and reflected by the arts of any given age. Essentially self-taught, I began to draw and paint after college graduation. But I had no idea that one day my art hobby would be as important to me as my 30-plus-year career in the field of social services and social services administration. That is because I did not know then—-and didn’t know for most of my professional career–what I would one day learn: that I have fibromyalgia and chronic fatigue immune deficiency syndrome (FM/CFIDS). Thanks to art, though, these disorders don’t have me.
How it began: In the 70s I became frustrated by the “floaters” in my eyes. Those who, like me, are nearsighted will understand how infuriating these floating cells in the eyeball can be! But I have always found myself interested in most things (and people), even frustrating ones. And that included my floaters—-what I later learned are called “entopic” images or imagery derived from the body or body processes when used in art. I began to draw these little floaters, and over time, began to see that they arrived on paper as linguistic signs and symbols. I continued to paint traditional landscapes, portraits, and even abstractions. But I always came back to the “floater drawings,” which I started calling “Messages” to reflect what I understood as their linguistic base.
Jump forward 20 years. I had been growing increasingly ill, and was finally diagnosed with FM/CFIDS. Through the years I began to—-and continue to—-participate in many treatment modalities including medications, osteopathy (OMT), massage, and biofeedback. It was while participating in biofeedback that I learned I could induce a trance-like state by the act of repetitive (some say obsessive-compulsive!) drawing, i.e., my “Messages.”
My works visually explore mystical ideas and prayer/meditation/healing processes, as well as my intuitive understanding of string theory, the vibratory interconnectedness of all things, and multiple universes. Like all art, though, the works are ultimately about themselves and the viewer’s involvement with them. At this time, I am concentrating on drawing–that most basic mode of communication–in a small format. To paraphrase Blake: “the universe lies in a grain of sand.” My best way to realize incalculable enormity is to create its contrasting opposite, seen in the often faintly drawn, small-to-smallest lines, signs, and symbols. At some point, the viewer needs to see my works through magnification–not a gimmick but a major part of the interactive process. This method becomes a way of revealing initially unseen details in the drawings, as well as random miniscule particles, fingerprints, and detritus–the latter arriving unexpectedly onto the glass and frame surfaces and interacting with the drawings in unplanned, ever changing, interconnected ways.
However, it is the process of creating the ink or pencil messages—-the tiny interwoven lines—-that causes the trance-state to which I refer. Other pictorial elements are created first, or added later, as suggested by the weaving lines themselves. I have not been involved in active research of this altered consciousness phenomenon, but in discussion with psychologists and others, I suspect that not only am I creating a distraction from pain, but am also affecting alpha waves in the brain. Certainly the creative process of “messages” drawing creates an alert but relaxed state—-and, most important, reduces pain.
I hope to be able to help others by teaching the methods of my activities—-similar perhaps to knitting, crocheting, etc. I am pleased that my work continues to attract the attention of galleries and collectors, which also allows me to share my FM experience.
John Yimin of Outsider Art has written that my work “lies in a world, somewhere between what you see and what you think.” I don’t think I can top that. Those interested in reading about and seeing more of my art from the last several years can go to http://www.outsiderart.info/. There, a link is provided to U*Space Gallery in Atlanta, Ga., which is one of several galleries that represents my art in the US.
Contact Information:
U*Space Gallery
Outsider Art
email Billy Bob Beamer
Discussion:
Art & the Art of Managing Pain
Art, Healing, and Transformation group
Cultivating Creativity group
Flower Mandalas Project group


Request a flower mandala screensaver: Fifteen Flower Mandalas
© 2008, Billy Bob Beamer



  • Jennifer

    As you are presently presenting this method, I can see that it could be helpful to a few people, but it is too esoteric for most people to be able to benefit from it. I think there is a nugget in there that needs to be more widely understood, but some kind of cultural re-framing needs to occur.

  • billy bob beamer

    Jennifer–I can appreciate what you are saying. Making the process sound too esoteric is my problem. In fact–in practice–however, the process I train in has–according to evaluations and reports of participants–helped numbers of folks…which is really my only interest.One participant, who went through hip surgery, stated he cut his meds for pain in half, by drawing and thus inducing a trance. A young woman–who describes herself as a”bulemic, alcoholic, cutter”–said the drawing/meditation process has helped, along with other therapies, in reducing (or replacing)these compulsive behaviours….But I do appreciate your comments, and they do need to be given consideration as I share my work.
    Thanks!
    billy bob beamer

Previous Posts

Imagination and Reality
Imagination and Reality This showed up in my morning email, via Tricycle magazine, a wonderful center for all things Buddhist: "Imagination draws its energy from a confrontation with desire. It feeds off desire, transmuting and magnifying reality through desire's power. Fantasy does the opposite

posted 9:57:16pm Jan. 22, 2014 | read full post »

Help me choose the 4-5 best essays!
Dear Readers, I'm planning to enter an essay/memoir contest and need to choose 4-5 of the Fifty-Two Flower Mandalas essays from the 58 I've written so far. If any of you have particular essays you remember liking more than others, I'd love to hear about it, as I have no objectivity with them.

posted 10:43:51am Dec. 23, 2013 | read full post »

"Art of Healing" podcast by Bernie Siegel
Art of Healing Just a quick note to let you know about a new podcast on the Art of Healing by Bernie Siegel. The podcast comes to me through the Art and Healing Network. Here's a link to their current podcasts, including this new one by Dr. Siegel: The Art of Healing with Dr. Bernie Siegel More

posted 11:53:09am Dec. 19, 2013 | read full post »

Part III: Art and 'Madness' - Schizophrenic art
Works by schizophrenic artists Adolfi Wolfli (left) and Arthur Bispo do Rosario (right) Part III: Art and ‘Madness’ Schizophrenic art Copyright 2013, David J. Bookbinder Toward the end of the 19th century, the Romantic preoccupation with the idea that genius and madness were linked promp

posted 10:21:24am Dec. 16, 2013 | read full post »

Mandalas: Alexey Kljatov's snowflakes
"Snow Flower" by Alexey Kljatov. Creative Commons license. Some rights reserved. Mandalas: Alexey Kljatov's snowflakes Copyright 2013, David J. Bookbinder Just a quick note to let you know about the fascinating, mandala-like snowflake photographs of Alexey Kljatov. Using simple, inexpensive equ

posted 10:10:13am Dec. 02, 2013 | read full post »




Report as Inappropriate

You are reporting this content because it violates the Terms of Service.

All reported content is logged for investigation.