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BY: Eric Liu
The saga of Homeboy Industries is something out of an after-school special. The Jesuit
homeboy, the gangland priest: didn't we see that one on cable? Indeed,
Greg has gotten a lot of media attention, particularly as he's criticized the
LAPD's approach of hammering the gangs. He speaks with the polish of
both a clergyman and a minor celebrity. Some of the lines he uses are,
well, recycled. I'd read them in his clips. The stories of the founding, of
the rescues and acts of salvation, gleam like stones many times held. Yet
what made them refreshing still is that they were never meant to be anything
more. They are like stories from the Bible. They are a daily record,
a matter-of-fact accounting of the volume of flotsamed lives flowing past.
They are a reminder of constant inadequacy. The day I met him he told
me he had just buried his 114th child. Greg is free of pretense that what
he does is visionary or saintly or world-changing. He is a single human,
distributing sandbags against the flood; called to imagine that his labors,
in the end, will matter.
With his shaved head and goatee, his unfocused drunken eyes, and his
stump of a right arm (a birth defect), Hugo Jimenez was a picture of menace.
The words he had for Father Greg at the elevator were hostile too.
He said, "I know you-you're the one who doesn't help anyone from our
neighborhood." It wasn't just cynicism. It was a geopolitical comment
that Greg understood well. Hugo was a member of the Marvelosos, a
"Mara Villa" gang at war with the "Sorrenos," gangs of the Mexican
mafia, whom Greg more often worked with. He was a gang veteran, his
compact body filled with scars and screws and rods from the three times
he'd been shot (at thirteen, fifteen, and twenty; in the arm, stomach, and
femur). Greg was taken aback by Hugo's hostility but quickly recovered.
This was a chance to build a bridge to the Mara Villa. That's why he
made sure to get Hugo's number, why he called Hugo early the next
morning. Hugo came in at nine. He was twenty-five years old. He had
never held a job in his life. He was, as he put it, "allergic to work." Greg
put him on the payroll that very day, putting him to work in the office-
covering the phones, doing small chores and odd jobs.
One month earlier, Hugo's father had died of complications from diabetes.
Greg learned that in the course of their initial interview. It shaped
his handling of Hugo, as it shapes his handling of so many ex-homies.
The young men who pass through Greg's parish may lack motivation and
work skills and capital. But what they lack prior to all of that is a primal
attachment. Their "lethal absence of hope," as he calls it, comes from the
fact that so many have never been loved and have never been able to love
in return. "Gangs are bastions of conditional love," he says. "Homeboy is
a community of unconditional love."
Hugo was one of the lucky ones; he'd had a father, he loved his father.
Greg's work was to sustain that attachment. He told Hugo at every turn,
"You are exactly what God had in mind," and waited for Hugo to inhabit
that truth. He didn't tell Hugo or anyone else they could be the first
Latino president if they applied themselves. He told them, "You are exactly
enough." He didn't woof at Hugo with lectures. He said, "You
are everything I would want in a son." If Hugo showed up late, Greg
wouldn't yell. He would silently wait, until Hugo hurt inside from the forgiveness.
If Greg said, "You're doing a good job, son," it made Hugo
want to do a better job. When Hugo decided to get custody of his son,
Angel, Greg brought the social worker to see Hugo's closets lined with
baby clothes the next size up, ready to be grown into. Greg paid the three
hundred dollars to file papers and accompanied Hugo to court. Hugo
didn't understand what the judge was saying until he heard, "Full and
sole custody to petitioner," and then the hair on the back of his neck
stood on end and he looked at Greg and he wanted to cry.
At first, watching and listening to Greg, I was inclined to put some of
his actions in a box called "strategic" and others in a box called "sincere."
Then, gradually, the boxes became indistinguishable; or, at least, the distinction
became irrelevant. Greg tells these lost sons, one after another,
that they are in fact exactly enough, that they are everything he would
want in a son. And he opens up something primordial in them, something
that leads, almost on cue, to huge sobbing and release. The words
he spoke to Hugo, the salve of unconditional love that he applied, he has
applied to many others as well, often using the very same language. He
knew too that Hugo's loyalty would help him broaden his reach to new
gangs. What I realized after a while was: So what? So what if he wanted
to reach more people? That is his job. So what if his love was produced
and dispensed in large batches? Each dose felt real, and each one healed.
Hugo proved to be a diligent worker. Over the next two years he
started taking on more responsibilities, using computers for data entry
and record keeping, becoming more vital to the operation. The next
challenge for him, Greg said, will be to assert his value in the world beyond
Homeboy Industries. Every Saturday morning Hugo goes to the
cemetery to visit his father. He said to Greg once, "I wish I could show
him what I'm becoming. I wish I could see his face, because all I gave him
when he was alive was grief." Greg answered, "He is seeing you now."
And that was enough for Hugo. It was enough to keep him going that day,
to get him out of bed the next morning and the morning after that, to
help him take care of himself and his boy. It was enough to make Hugo
resolve, silently, that he wanted to be for Angel the kind of father Greg
had become for him.
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