One Picture, A Thousand Outcries
I draw to help prevent a world where others make decisions for me. And I'm willing to risk being called anti-Muslim for it.
This said, readers should know that cartoonists working for mainstream American newspapers--and there are more than 80 around the country--generally try to avoid negatively caricaturing any groupjust
to make fun of them. American history is filled with examples of published images that would not run in newspapers today, our most egregious sin being the racist portrayals (without comment) of black Americans in cartoons, advertising, and illustrations. As the civil-rights movement revealed the injustice behind those racist images, those cartoons went from being humorous to hideous.
Blacks weren’t alone in trying to influence how they were portrayed in popular culture. Long before 9/11, Arab-Americans asked for cartoonists to be more sophisticated in their depiction of Middle Easterners. Early in my career, I received a heads-up from an Arab-American group pointing out that all Arabs aren’t head-scarf-wearing sheikhs.
At several of our The Association of American Editorial Cartoonists conferences, representatives from Jewish, Latino, Arab, and other ethnic groups pled for relief from what they saw as derogatory stereotypes that we cartoonists routinely used as shorthand.
Our images have changed over the years, though many of us still draw sheikhs with scarves because they feature prominently in the news. If you wear dresses and scarves, cartoonists are going to draw you with dresses and scarves. But I think if you did a study--and I haven't--you'd find that more cartoons about the Middle East now feature Arabs who more resemble an American teenager at a mall.
Of course, sheikhs get to choose what they wear. Many women in Islamic societies don’t. My encounters with Muslims have mostly come over cartoons protesting the treatment of Muslim women. After one such cartoon, a local woman called me to defend the headscarf. I said I had no problem with anyone freely wearing a headscarf or any other religious outfit. I then asked her, "But you wouldn’t force other women to wear a headscarf, would you?"
After a pause she replied, "Well, if it was for her own good."
So there you have the reason I go to the drawing board every day. I am drawing to help prevent a world where someone else decides what I must wear for my own good. And, I’m willing to risk being called anti-Muslim to do it.
I’m guessing the Danish cartoonists were trying to do the same thing. The cartoons were criticizing violence and suicide bombing in the name of Islam. The cartoonists have the right to publish. And, in a free society, Muslims have a right to protest and publish their own cartoons in response. This is not a right granted to cartoonists or protesters in some Muslim countries.
I hope Muslims will come to know that they aren't the first, and won't be the last, to be offended by a political cartoon. I know cartoonists will take into consideration the reaction to this caricature when drawing their next ones on Muslim issues. If the reaction of the “Arab street” continues to be violence whenever they don’t like something they see in someone else's newspaper, then I predict more such cartoons are on the way. My suggestion is that instead of threatening to draw blood, Muslims should pick up their pens and draw return cartoons instead.