Balance: A Story of Faith, Family, and Life on the Line

High wire artist, Nik Wallenda joined the ranks of legendary daredevils when he became the first person ever to walk across the roaring Niagara Falls.

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I take a couple of steps, and then fall. I get back on, only to fall again. I keep getting on and keep falling, getting on and falling until in a short while I’m able to walk the entire length of the wire. The accomplishment does not feel remarkable. I don’t feel that I’ve had done anything extraordinary. It simply feels right. The length of the wire isn’t long— just a few yards. I wish it were longer. All that morning and well into early afternoon I keep walking back and forth. I’ve found my footing. I’m a restless and superenergetic child, yet this short walk over a cable has calmed me down and sent me into a state of inexplicable concentration, hardly typical of someone my age. No doubt about it; I’ve found this magical comfort zone in which time is suspended. “Time to come in!” Mom shouts. But I’m not about to come in. I shout back, “I did it! Did you see how good I did it?” “Of course you did it! You did it beautifully!” “I wanna keep doing it.” “You need to eat, Nik.” “I need to keep doing it.” “You will. You have the rest of your life to do it.” — But would I? All I knew then was the joy of a boy who had found the greatest toy in the world. What I didn’t know was that my parents were barely making a living. I didn’t know that the traditional circus circuit was on the verge of collapse. For all the satisfaction that came with their life as entertainers, they continually faced financial ruin. Circuses were going bankrupt.

Premier performers with sterling reputations, Mom and Dad were forced to take all sorts of odd jobs— washing windows, working in restaurants— to keep a roof over our heads. Whatever precocious talents I might have displayed at an early age, they had no hope for my future in a field that had sustained the Wallenda family for over two hundred years. Understandably, they saw this as the end of the line. In fact, the title of the book about my mom’s life was The Last of the Wallendas. In the first two decades of my life I became increasingly aware of a dark cloud hanging over circus life. From that first step on the wire at age two, it was my passion, but a passion born at a time of impending death. Even when there was a reinvention of sorts— the explosion of Cirque du Soleil in the nineties— that Canadian phenomenon had little effect on my parents and the old-​school venues that were rapidly disappearing. The wolf remained at our door. I offer none of this in the way of complaint. Being born into struggle is a blessing. That struggle gave me an extra measure of motivation— and for that I’m grateful. That struggle tested my commitment to the aerial art form I love so deeply. That struggle also made me dependent on God. It didn’t take long to realize that I couldn’t win the struggle without leaning on a source of strength no human could supply. My parents helped me realize that at an early age. Practicing Christians, they were devoted to their children. Through their example, I accepted Christ as a child. But I also found myself absorbing their very human fears and anxieties. They couldn’t guide me past their own fears and anxieties. Only God could. In the same way, only God could give me the insight and strength to turn my long family lineage, marked by deadly tragedies, to triumph. To an alarming degree, that lineage is also marked by betrayal, backbiting, and mean-​spirited jealousy.


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