We're the Dark Horses - An Interview with Switchfoot

Beliefnet discusses music and belief with members of the Grammy winning rock band.

Continued from page 3

You know, I’m a closet pop fan. I really like Michael Jackson and I am a child of the 80s and 90s so I like INXS and I like The Police. I like all that. My main and album and vibe is Led Zeppelin.  I mean I always go with Zeppelin because they are so diverse in their musical styles. They’ll do country, pop, reggae, rock and roll, metal, you know, they do everything. They’re great. They don’t stick to one thing – and then I love kind of noisy music sometimes like Chemical Brothers and I like Depeche Mode because I grew up with that era and The Cure and of course The Beatles are huge. I’ll put them on every day or so. What was I just listening to? Foster the People. That record got its hooks in me.

Jerome mentions that record too.

I told him about that record. That guy stole my line. When I see him I’m going to get you for that, Jerome! Yeah, they’re good guys. I went and saw him and hung out with the band and I got to know them a bit. I listen to their record. I love it. Our video went out with them in East London. But yeah, so much music so little time.

Yeah, definitely. What are your favorite early Switchfoot songs to perform?

Yeah, my gosh, well, my favorite Switchfoot song of all time is “Learning to Breathe.” Personally, that song will forever hold first place. I also love “Concrete Girl.” I love the vibe of that song and what it says and just like how quirky it is.

When was the last time that one was performed live?


Man, I wish we did it more. We probably haven’t done it in like two years. Maybe three.

Have you seen anything that has kind of changed with the band from the earlier records to now?

That’s a big question. I’ve got a lot of things that come to mind. The band has honed in an authentic sound. I think we’ve kind of grown out of the quirky type songs like “Chem 6A” and “Company Car” which I still love. We’ve gone into more of these speaking to the masses, big questions, important songs that feel important and honest. I think we’ve found a very quizzical approach in a lot of our music that has been a part of our calling and that has been a part of our voice in society.

I also think we have been one of the bands that has crossed lines drawn by Christian music and secular music critics. I think that when we started there was a lot of separation and now there’s been a lot more bridges built across this river that was separating these things and a lot of bands have been carried across over our backs so to speak and done great things which is I think is awesome. The band hasn’t changed in our security of who we are. How do I say it, you get to a place where you realize that the great artists are ones who don’t care what people think as much but just stick to what they know they’re supposed to do and I think that’s been one of the changes. I think we’ve decided that we’ll let the critics critique and we’ll just do what we know we’re supposed to do and continue pushing ahead in that.

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