Halal Hip-Hop

NEW YORK, April 3 - They rap about checkpoints, military oppression and refugee camps. Their songs express longing for Jerusalem and anger at the hardships of life in the Gaza Strip and West Bank.

But they grew up in Tennessee or Virginia, live in Los Angeles and perform in New York City.

Far away from the their parents' homeland in the Middle East, Arab-American rappers are trying to find their own voice in the United States - expressing the frustrations of the Muslim world at a time when anti-Islamic feelings are on the rise following the Sept. 11 attacks.

Their neophyte movement is spurred on by the success that rap and hip-hop have in voicing the grievances and reflecting the lives of other minorities in the United States.

Two of the Arab-American rappers, Omar Offendum and Ragtop of Los Angeles, are on the forefront of this small but growing trend in hip-hop music.

"Hip-hop has always been trying to voice resistance in the face of oppression," said Offendum, the performance alias of 24-year-old Omar Chakaki. "And if you're growing up Arab, politics are very important because they affect every level of your life in many different ways."

"There's definitely a feeling of solidarity with other minorities, like African-Americans, and not just when it comes to the music," added Ragtop, 25, whose real name is Nizar Wattad. "Palestinians in Israel and the territories are also second-class citizens."

Their political lyrics resonate with young Arab-Americans. During a recent concert, more than 300 fans of mainly Middle Eastern background squeezed into the Coda Club in midtown Manhattan. The gig was organized by the Network of Arab-American Professionals of New York and the bands themselves.

Clapping and singing, the crowd enthusiastically applauded the hip-hop performances of Wattad and Chakaki.

The two artists rapped in English and Arabic, combining electronic samples of popular and classical Arabic music from their parents' generation with fast hip-hop drum beats.

"I place my palms to the east where my people seek peace, and freedom from police control, checkpoints and patrols," Wattad and Chakaki rhymed in the song "Free the P," the P referring to Palestinians. "Domination from another nation; we used to be brothers like Cain; now they got us living under occupation."

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