Bono: The Beliefnet Interview

Continued from page 3

Now, for all its failings and its perversions over the last 2,000 years--and as much as every exponent of this faith has attempted to dodge this idea--it is unarguably the central tenet of Christianity: that everybody is equal in God's eyes. So you cannot, as a Christian, walk away from Africa. America will be judged by God if, in its plenty, it crosses the road from 23 million people suffering from HIV, the leprosy of the day. What's up on trial here is Christianity itself. You cannot walk away from this and call yourself a Christian and sit in power. Distance does not decide who is your brother and who is not. The church is going to have to become the conscience of the free market if it's to have any meaning in this world--and stop being its apologist.

During U2's Zooropa tour, you would often call prominent figures by phone from the stage. In London, you were dressed as the devil character you invented, MacPhisto, and, as you tried to call the Archbishop of Canterbury, MacPhisto remarked that religious leaders were some of his closest friends.

It's true. I often wonder if religion is the enemy of God. It's almost like religion is what happens when the Spirit has left the building.

God's Spirit moves through us and the world at a pace that can never be constricted by any one religious paradigm. I love that. You know, it says somewhere in the scriptures that the Spirit moves like a wind--no one knows where it's come from or where it's going. The Spirit is described in the Holy Scriptures as much more anarchic than any established religion credits.

For all that, U2 has often been seen as a Christian rock band.

We really f--ked that up, though. We really f--ked up our corner of the Christian market. I think carrying moral baggage is very dangerous for an artist. If you have a duty, it's to be true and not cover up the cracks. I love hymns and gospel music, but the idea of turning your music into a tool for evangelism is missing the point.

Continued on page 5: »