Prince Caspian's 'Inner Humility'
Actor Ben Barnes shares the strengths and weaknesses that define his character in the latest 'Narnia' movie.
Describe your earliest "Narnia" memory.
I found my copy [of the book] when I got the part, and I definitely read [the books] when I was eight. I remember reading a chapter to my dad. As kind of a reward, my dad would read the next chapter back to me, so I’d get a bit more of the story, but he would also do silly voices. And then we’d sit down and watch an episode of the TV series, and I just remember it being completely magical at the time. I remember just being totally fascinated by the stories, by the imagination in them.
Since you were mesmerized as a child by "Narnia," why do you think Prince Caspian is mesmerized by Old Narnia? What is it about the Old World that really grabs him?
I think this is evident in the film. He's really the only young Telmarine that you see, because he's been brought up in this household. He's an orphan. He hasn’t been able to engage with loving parents.
The closest thing he's got to a father is his professor, and he hasn't had people to tell him bedtime stories, and he hasn't had people to engage with him on any level. He hasn't had the childhood that he's craved. In our [movie] version, he's in his adolescence. He's starting to ask questions about things, and he's kind of craving his lost childhood and the escapism of that. He desperately does want something to believe in beyond the prison that is the castle.
What do you think is the core message of "Prince Caspian," or the "Narnia" series in general?
I think "Caspian" is probably one of the least didactic of all of them. Certainly, there are messages about having faith in something that’s greater than yourself; having that kind of blind faith and trust. It's about having belief in yourself and the people around you, and possibly something beyond that.
What I like about "Prince Caspian" is it's really not spoon-feeding. [The messages are] there if you choose to see it, as is the dictatorship qualities of King Miraz in his power lust and his wanting to further his own race at the expense of all others. I think the historical context of that is undeniable. In the film, the [Telmarine] design [has] eagle heads and things that are slightly reminiscent of a sort of Nazi regime, but not quite enough to be forcing it down your throat.
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