A documentary filmmaker looks at theology and geopolitics in 'The Two Towers'Faith," about six believers' search for meaning in tragedy, recently appeared on HBO.
"The Two Towers" is the second installment in the Lord of the Rings series. The hobbit Frodo, charged with taking the eponymous ring to Mordor to be destroyed, cautiously befriends the ring's former owner, Gollum, who agrees to be Frodo's guide. Meanwhile, Gandalf sends Aragorn to help the men of Rohan hold off a massive army of orcs at Helm's Deep until he can come to Aragorn's aid.
Was this a Christian movie?
The most obvious Christian character is Gandalf, the leader with his disciples, his fight with evil, his death and resurrection, and his approach to the new dawn, the salvation of Middle Earth, when evil is ultimately overthrown. The movie feels apocalyptic, like it's heading toward some ultimate victory of good over evil.
It's a Christianity that seems a little out of fashion. The stakes are so high.
It isn't just good guys versus bad guys. The characters struggle minute-by-minute with good and evil internally, and that mirrors the battle between good and evil battle on a cosmic level. The scenes with Frodo, who has the ring, and Gollum, who used to have it, are the most memorable. It's their constant battle, between the voices of hope and faith and of bitterness and betrayal. That resonates with me entirely. That Pauline perspective that we're constantly struggling within, that we have to give ourselves over to faith and pray for grace.
So it's Christian in that it makes individuals the actors in the cosmic drama.
"Our fates are in the hands of two little hobbits," is one of the last lines in the movie. The smallest of beings, which means us.
You are a player in the apocalypse, the movie wants you to know.
And I feel that right now. When I was in seminary, people were very uncomfortable with the apocalyptic strands in the Gospels and the letters of Paul, because they were so violent. Right now, those stories are utterly meaningful. We're not reading those passages out of the text for our comfort level. Rather, we're asking how do we make sense of today?