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BY: Dan Brown
Arc du Carrousel.
Despite the orgiastic rituals once held at the Arc du Carrousel, art aficionados revered this place for another reason entirely. From the esplanade at the end of the Tuileries, four of the finest art museums in the world could be seen.one at each point of the compass.
Out the right-hand window, south across the Seine and Quai Voltaire, Langdon could see the dramatically lit façade of the old train station-now the esteemed Musée d'Orsay. Glancing left, he could make out the top of the ultra-modern Pompidou Center, which housed the Museum of Modern Art. Behind him to the west, Langdon knew the ancient obelisk of Ramses rose above the trees, marking the Musée Jeu de Paume.
But it was straight ahead, to the east, through the archway, that Langdon could now see the monolithic Renaissance palace that had become the most famous art museum in the world. Musée du Louvre.
An indecipherable confirmation came crackling back.
The agent stowed the device, turning now to Langdon. "You will meet the capitaine at the main entrance."
The driver ignored the signs prohibiting auto traffic on the plaza, revved the engine, and gunned the Citroën up over the curb. The Louvre's main entrance was visible now, rising boldly in the distance, encircled by seven triangular infinity pools from which spouted illuminated fountains.
"You're not coming?"
"My orders are to leave you here. I have other business to attend to."
Langdon heaved a sigh and climbed out. It's your circus.
The agent revved his engine and sped off.
As Langdon stood alone and watched the departing tail lights, he realized he could easily reconsider, exit the courtyard, grab a taxi, and head home to bed. Something told him it was probably a lousy idea.
As he moved toward the mist of the fountains, Langdon had the uneasy sense he was crossing an imaginary threshold into another world. The dreamlike quality of the evening was settling around him again. Twenty minutes ago he had been asleep in his hotel room. Now he was standing in front of a transparent pyramid built by The Sphinx, waiting for a policeman they called The Bull.
I'm trapped in a Salvador Dali painting, he thought.
Langdon strode to the main entrance-an enormous revolving door. The foyer beyond was dimly lit and deserted.
Do I knock?
Langdon wondered if any of Harvard's revered Egyptologists had ever knocked on the front door of a pyramid and expected an answer. He raised his hand to bang on the glass, but out of the darkness below, a figure appeared, striding up the curving staircase. The man was stocky and dark, almost Neanderthal, dressed in a dark double-breasted suit that strained to cover his wide shoulders. He advanced with unmistakable authority on squat, powerful legs. He was speaking on his cell phone but finished the call as he arrived. He motioned for Langdon to enter.
"I am Bezu Fache," he announced as Langdon pushed through the revolving door. "Captain of the Central Directorate Judicial Police." His tone was fitting-a guttural rumble.like a gathering storm.
Langdon held out his hand to shake. "Robert Langdon."
Fache's enormous palm wrapped around Langdon's with crushing force.
"I saw the photo," Langdon said. "Your agent said Jacques Saunière himself did that to himself."
"Mr. Langdon," Fache's ebony eyes locked on. "What you see in the photo is only the beginning of what Saunière did."
"How well did you know Jacques Saunière?" the captain asked.
"Actually, not at all. We'd never met."
Fache looked surprised. "Your first meeting was to be tonight?"
"Yes. We'd planned to meet at the American University reception following my lecture, but he never showed up."
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