A May Bouquet

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Like Edith Wharton and Henry James, Hortense Calisher finds the drama of fiction as much in the analysis of motive as in the various excitements of action. Her newest novel might be said to have a Wharton-ish feel to it--if, that is, Wharton had written about assimilated Jews rather than status-conscious WASPS.

The Jewish family at the center is named, surprisingly, Duffy. Zipporah Zangwill's marriage to Peter Duffy is mixed not because they come from different faiths, but because they disbelieve in different deities--Zipporah in the Jewish God, Peter in the Catholic one. The first third of the book, which is marvelously felt, tracks Peter's mental degeneration. After retiring from the university where he had been a philosopher, Peter becomes absentminded, then feebleminded, and finally physically debilitated. Zipporah, a nonacademic anthropologist and mother of five, takes him to Italy to hide his condition. Zipporah is helped by a mysterious nurse, Debra Cohen, an awesomely cool Israeli sabra who disappears when Peter dies. The novel's middle section portrays Zipporah in the autumn renaissance of her widowhood. She inherits a fortune from her neighbor and friend, Norman, and takes a lover, the mythically wealthy Foxy Mendenhall.

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