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Rabbi Lawrence Kushner says not much was lost in the translation of 'Crouching Tiger.'

Rabbi Lawrence Kushner is rabbi in residence of Hebrew Union College-Jewish Institute of Religion. A resident of Sudbury, Mass., he is the author of several books, most recently, "The Way Into Jewish Mystical Tradition" and "Eyes Remade for Wonder."

"Crouching Tiger, Hidden Dragon," directed by Ang Lee, is a fairy tale-like epic, remarked upon as much for its breathtaking scenery and balletic fencing scenes as for its plot and characters. It concerns the famous swordsman Li Mu Bai, who sets out with Shu Lien, herself a skilled warrior, to recover the ancient sword Green Destiny, which has been stolen by Jen, the wild daughter of the provincial governor. We learn about Mu Bai and Shu Lien's unrequited love, Jen's own love affair with a nomadic bandit, and Mu Bai's quest to avenge the murder of his master teacher. Rabbi Kushner sat down with Michael Kress to discuss the movie.

What do you think of the warrior culture that was at the heart of this movie?

I've never seen a kung fu movie. People who have tell me this is part of a genre. I had no idea, so I was a real innocent as a viewer. Everybody in the movie got hurt. Everyone was damaged. I was disappointed. Both of the love scenes in the movie came to nothing. I am a big boy; I can deal with unrequited love and people dying, but this seemed to go out of its way to say love doesn't get consummated.



Do you think that it's inevitable in a culture like that that everyone ended up getting hurt?

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I don't know how to make sense out of this attempt to make a warrior culture transcendent and religious. I find that to be disjunctive and contradictory. I wound up thinking it's sort of like a Clint Eastwood movie or an Arnold Schwarzenegger movie: These guys have a lot of weapons and they blow people up and they kill people. They're basically on the side of good, but I don't care how self-transcending and noble their cause is, they're just thugs. I felt uncomfortable trying to relate to that religiously.

The main male character, Li Mu Bai, says at the beginning, "I was meditating and came to a place of great grief and had to leave the monastery." What was he doing in the monastery? He was learning how to kill people, learning how to use weapons very effectively. That didn't make sense to me.

I was struck that at the moment when enlightenment seemed to be his, he found only despair. Do you think that's a common occurrence?

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